Skip to main content
Sociedad Iberoamericana de Gráfica Digital 2025

Full Program »

296: 3d Printing of Surrealist Dreams: Constraints, Failures, and Craftsmanship In 1:1 Digital Fabrication

This paper documents the design and lateral 3D printing of a large-scale concrete sculpture inspired by Roberto Matta’s “Mathematics of the Sensible.” The project explores the fusion of digital modeling, robotic fabrication, and analog decision-making within a meta-responsive workflow. Through an iterative toolpath strategy and custom-designed print bed, the team achieved a continuous extrusion of variable-width mortar beads without support structures. The piece—featuring a seat, a window, and a step—was fabricated in a single 8-hour run and installed in a public plaza. Beyond technical execution, the paper foregrounds the role of failure and craftsmanship in digital construction, highlighting how real-time adjustments, material anomalies, and embodied judgement informed the outcome. Lessons learned are framed as design intelligence and translated into educational insights. The project demonstrates how 3D concrete printing can serve not only as a means of fabrication, but as a pedagogical and poetic tool within contemporary architectural practice.

Pedro Soza Ruiz
psoza@uchile.cl
Universidad de Chile
Chile

Pablo Banda Pérez
pablo.banda.p@gmail.com
Metapatron Studio
Chile

Rodrigo García Alvarado
rgarcia@ubiobio.cl
Universidad del Biobío
Chile

Sebastián Rozas Valenzuela
sebastianrozas@gt2p.com
gt2P
Chile

Guillermo Parada Salgado
guillermoparada@gt2p.com
gt2P
Chile

Daniela Martuffi Lazo
danielamartuffi@gmail.com
Universidad de Chile
Chile

 


Powered by OpenConf®
Copyright ©2002-2025 Zakon Group LLC